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The Basics :
Keep Your Friends Close (CD)

Title : Keep Your Friends Close
Band: Flea Market Poets

Label :
The Three Basics
Release Date : 30th Oct 2009
Format: CD
Cat number : 3B0037292
Barcode: 9324690037292
Dealer Price: €9.82

Tracklisting :
1. Fear Of Failure / 2. With This Ship / 3. On The Day Mairéad Goes Away /4. Home Again / 5. What Do You See In Me? / 6. The No. 1 Cause Of Death Amongst Youth Today / 7. Trouble In My Head / 8. The Executioner / 9. Keep The Door Open / 10. All Or Nothing

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BACKGROUND ON ARTIST/ALBUM: 
“Keep Your Friends Close” is the 3rd long-playing release from Australian band The Basics. Composed in Australia’s Western Desert, and recorded between Melbourne and London (at Abbey Road Studios), the album demonstrates a further evolution of the band from retro-rockers to one of Australia’s best-loved outfits in the tradition of Crowded House, Hunters and Collectors and The Triffids.
  October 2008, and The Basics were travelling along just nicely, thank you for asking – halfway through recording the follow-up album to 2007’s crowd-pleasing ‘Stand Out/Fit In’, they were feeling positive about the significant increase in production values and the more energetic capturing of their “live” sound.‘Keep Your Friends Close’ – the title of said follow-up – was going to be a musical tour de force, cementing their reputation as one of Australia’s most eclectic and intriguing bands, and sending them into that elusive stratosphere whereby professional satisfaction and inter-band relationships melded into a perfectly harmonious recipe for success. The future was theirs for the plucking. They were wild-eyed troubadours poised for action and the fates were finally smiling in their direction. Until, of course, everything went to shit. It just has to sometimes, doesn’t it? 

  As personal upheaval and simmering emotional tumult began erupting from their home base in Melbourne, it was a strong commitment to – and certain amount of blind faith in – the unifying force of their band “The Basics” that saw Wally, Kris and Tim rally under the banner on a Government-sponsored tour of the Australian outback – there to entertain and mentor at remote High Schools and even remoter Indigenous Communities. It was a noble undertaking, reaching out to those lacking in adequate mental health care by promoting and raising awareness of the Lifeline telephone support service, and it might have strengthened them any other time – but trouble in their collective heads simply amplified the fact they were alone and without a clue.  The Basics’ carefully constructed musical and personal dynamic fell to pieces – and they decided to throw everything out and start again. Now many people have said that music can be a sort-of healing salve, a device for turning your insides out and making sense of the mess you’re in. Necessity – in this case for an outlet amidst physically and emotionally brutal touring conditions – was also the mother of invention, and in this instance the re-invention of ‘Keep Your Friends Close’. 

So much of the album was reconsidered while sitting aimlessly in 40+ degree heat – the vast emptiness and long hours of procrastination becoming part of the soundscape, as experiences gave birth to lyrics and sounds were borrowed from the aural inspiration of outback life. There was the curious prevalence of reggae and country music, the two-faced gift of rain, the trying corrugated roads, the occasional animal, the never-ending horizon, the questions that lay just beneath the surface. The path of recording suddenly seemed far less clear than it had been a mere eight weeks ago, and as personal experiences drove individual members down dangerous and dark internal roads so too did the once rock-solid musical foundations of ‘Keep Your Friends Close’ splinter. Suddenly, a question mark hovered over its very existence. The desert tour may have felt like an endless struggle for mental survival, like a long-haul flight into hell, but then – as with all things – it was suddenly over. The band now had their songs, conceived via new and honest inspiration, ready to be completed. It seemed obvious that their next step was to return to the studio and pick up where they left off. Yet they fumbled around in the dark for some time, still in a half-malaise, doubting their own ability to continue not just as a band, but in the world of music altogether. In a fug of alcohol and wild nights they faced their demons and turned everything they’d previously known upside down. And somehow, through a taxing period of trial and error, they managed to find a way.

Like Nick Cave and The Bad Seeds back in 1999, The Basics found themselves on a pilgrimage to the Old World to make sense of what they had seen and heard. It was at the iconic Abbey Road Studios that they were to fully realise the work they had begun; as it happened, it was antipodean Peter Cobbin who was to carry the vision through to completion, his extensive work on film scores (Harry Potter, Lord of the Rings), classics (The Beatles, John Lennon) and contemporary material (Air, Panic! At The Disco, Björk), contributing a unique translation of the sounds into finished songs. The broodingly defiant first single ‘With This Ship’ thematically personifies just how fractured the world of The Basics became during the making of the record – a morass of broken down communication, heartbreak and bitterness in a time of creatively challenging circumstances. ‘Fear of Failure’ and ‘What Do You See In Me?’ voice insecurities personal and otherwise; ‘Trouble In His Head’ and ‘All Or Nothing’ delve into the struggle of mental desolation; ‘The Day Mairéad Goes Away’ and ‘The Executioner’ are relationship stories, one in denial and one with no turning back. On the flipside, ‘Keep The Door Open’ reaches out to the listener with the promise of an open heart, ‘Home Again’ is a bittersweet journey song for any with a longing heart, and ‘The No.1 Cause of Death Amongst Youth Today’ is the redemption song of the record. The Basics have emerged, eventually, a stronger and wiser unit. Bruised and battered, but unified in a musical vision and ready to search and destroy.

ADVERTISING:  Posters of the stunning front cover available to retail

PROMOTION: Please contact Orla Breslin or Aileen Galvin at Entertainment Architects for details.
publicity@ealtd.ie or aileen@ealtd.ie

LIVE DATES:
October 8th – Academy 2, Dublin 2, IE
October 31st – The Academy, Dublin 2, IE